Wednesday, August 10, 2011

Swiss Steak on the Menu

I made this for supper last night and it was incredibly good. Tender and flavorful. Just right.

Prepare ingredients and preheat oven to 325 degrees. Give yourself about a half hour to 45 minutes of prep time

2 or more pounds of beef steak - I used top sirloin, but even a bottom round will tenderize.
Celtic sea salt and coarse ground pepper
1/2 - 3/4 cup of flour
stick of butter or margarine and olive oil
thinly sliced or coarsely chopped onion
2 cloves of garlic, chopped or minced
2 cups chopped celery
2 Tbsp tomato paste
2 cups diced tomatoes, fresh or canned
1 tsp paprika
1/2 tsp oregano
1 Tbsp Worchestershire sauce
1 can beef broth

At med-high heat melt enough butter and oil to completely cover the bottom of a dutch oven
Cut steak into serving size pieces and trim off all the fat
Sprinkle meat with salt and pepper and pound with tenderizing mallet until the steak flattens
Place flour is a flat dish and coat steak with flour, then brown on both sides, a couple minutes each side
Remove meat to a plate
Add celery, garlic and onions to the pan and saute until they change color
Grab a handful of paper towels; soak up and discard the excess oil
Add the tomato paste the the veggies and blend
Add tomatoes, spices, Worcestershire and beef broth. Stir.
Return the steak to the Dutch oven; make sure it's covered with liquid.
Make sure the lid fits tightly or reinforce with aluminum foil. Bake for 1 & 1/2 hours.

I served the Swiss steak with steamed broccoli and mashed potatoes.
Rice is an excellent side choice as well.
Serves six people.

I wish I'd taken a photo because it was pretty as well. I was a slacker.


Monday, August 08, 2011

Diana Nyad: I want to inspire the boomers

BE ENGAGED IN YOUR LIFE ARTICLE
Diana Nyad set off on a 103 mile swim from Cuba to Florida, something that has never been done before. This is her second attempt. Last time she was in her twenties. No shark cage, no touching a boat. She listens to Bob Dillon and Janis Joplin to alleviate boredom.

The trip will take her days. Days, people.

I went to the gym this morning, and did my one-hour workout.

"Be engaged in your life," was her quote I heard on the Today Show.

I am inspired, Diana. Thank you.

Wednesday, August 03, 2011

Pam Andrews Hanson: Writing from the Heart


I'm delighted to feature long time friends, Pam Hanson and Barbara Andrews today. When I was a fledgling writer many years ago, I joined my local RWA chapter and met Barb. My first experiences with reading my manuscript and critiquing took place in her home. She heard my very first attempts at writing and encouraged me.

I will always remember the warm open environment Barb provided as well as the support and friendship an insecure new writer so desperately seeks. I can easily say I learned a lot from her, not only about technique, but about the importance of an atmosphere of support. It was on several of those occasions when I met Pam and became friends with her as well. And so it is with great pleasure I introduce my good friend, Pam:


My mother/writing partner, Barbara Andrews, and I have been writing together for nearly 20 years.  And after publishing more than 30 books with traditional publishers, we are thrilled to be launching our first ’indie’ published e-book,  Faith, Fireworks and Fir. Written as Pam Andrews Hanson, it’s an original inspirational romance available for Kindle on Amazon and Nook on Barnes and Noble. 

This book, set in the small town of Evergreen, Michigan, tells the story of Faith and David, who each wonder whether they can find a partner in life, love, and belief.  Although they’ve known each other since childhood, their paths haven’t crossed in years. Faith runs her parents’ year-round Christmas store in Michigan, and accountant David owns his own firm in Phoenix, Arizona.  When David returns to Evergreen to persuade his two beloved aging aunts to retire, the women enlist Faith in their plan to thwart their well-meaning nephew. Both Faith and David have reason to doubt their own judgments in matters of the heart. Physical and emotional distances stand in their way. Yet they share strong feelings for each other rooted in love of family and the Lord,

Although Barbara and I are delighted to continue writing inspirational women’s fiction for Guideposts, we view writing e-books as another great way of connecting directly with our readers and telling romantic stories about people of faith from the heart of America.  Between the two of us, Barbara and I have lived in Michigan, Iowa, Arizona, Wisconsin, West Virginia, and – most recently – Nebraska.

One of the things we like best about the books we are writing now is they are stories about real people facing real challenges.  One of the highest compliments we’ve ever received came from a reader in West Virginia who said, “I love your books.  I feel like I really know these people.  Your books are the first ones I’ve read where they are about people like me.”

So why write e-books now? Everywhere we look we see people reading books on their Kindles, Nooks, or iPads.  We’re excited to reach readers this way.
This is not the first entrepreneurial venture my mom and I have tried. The summer after my junior year of high school, she and I went into the ‘junk’ business. My Aunt Marge (who gave my mom a paper bag of Harlequin romances which in turn spurred  her novel writing career) owned a flea market in a small southwestern Michigan town not far from the city where we lived. She offered us a booth to set up and sell our wares. We haunted garage sales for antiques and collectibles and books to resell. I started collecting cookbooks that summer. After expenses, I earned enough to buy myself contact lenses. It was the best summer job I ever had, and my mom and I had a lot of fun.
Just like we are now.
   
        ORDER YOUR COPY FROM AMAZON TODAY!

Tuesday, August 02, 2011

Pam Hillman: Stealing Jake - FREE!


With ebook sales rocketing skyward, established publishers, authors and readers alike are taking a second look at electronic publishing. Tyndale House Publishers answer is the Digital First Program.

Tyndale launched the program in July 2011 with four fiction titles and one non-fiction title. Digital First's initial ebooks include Delivery by Diana Prusik, Cash Burn by Michael Berrier, Stealing Jake by Pam Hillman, The Reinvention of Leona Harper by Lynne Gentry and a non-fiction title, 40 Days without Food: Divine Goodness to a Starving Soul by Russ Masterson.

Right after the announcements came out, someone asked me this burning question, "Why did you through Tyndale to do an ebook, when you could have gone directly to Amazon?"

Seriously? First reason, because Tyndale launched a Digital First Initiative, and I was blessed enough to be one of the 5 debut authors chosen to launch the program.

Next, are you ready for this? My publisher is Tyndale House Publishers! Oh. My. Lucky.Stars!

I could stop right there, because that's reason enough in and of itself, but if you want more, here you go:

My book was edited by Tyndale editors. They were awesome! The entire process was as smooth as silk. My cover was designed by Tyndale cover designers. And I love it! My book is backed by Tyndale's good name. Whoa! Tyndale has marketing and publicity power. That I don't have... Tyndale did all the work to get my book listed on Amazon, CBD, B&N, and Mobipocket.

And finally, I am a Tyndale author, not just another name on Amazon. How much is that worth to me? I can't even begin to measure that. I have no clout or pull with readers. Sure, some of my friends and family would have bought my book if I put it up on my own, but then that would have been the end of it, unless I got lucky as a few do. (And more power to them!)

And if this Digital First Initiative is as successful as it's shaping up to be, I might even see Stealing Jake in print next. This is a win-win situation for the Digital First authors and for Tyndale, and I'm over-the-moon excited to be partnering with one of the most respected publishing houses in the industry on this new venture.

Here are three wonderful articles that shed more light on Tyndale's Digital First Initiative:





When Livy O'Brien spies a young boy jostling a man walking along the boardwalk, she recognizes the act for what it is. After all, she used to be known as Light-fingered Livy. But that was before she put her past behind her and moved to the growing town of Chestnut, Illinois, where she's helping to run an orphanage. Now she'll do almost anything to protect the street kids like herself.
Sheriff's deputy Jake Russell had no idea what he was in for when he ran into Livy--literally--while chasing down a pickpocket. With a rash of robberies and a growing number of street kids in town--as well as a loan on the family farm that needs to be paid off--Jake doesn't have time to pursue a girl. Still, he can't seem to get Livy out of his mind. He wants to get to know her better . . . but Livy isn't willing to trust any man, especially not a lawman.

Interwoven throughout is a group of street kids arrested in Chicago and sold as child labor. Leading this band of ragamuffins is young Luke, a scared, determined orphan intent on rescuing his little brother at any cost.

Stealing Jake is free for a limited time on Amazon, B&N & CBD. It was #1 on the top 100 Free Kindle list at Amazon for 7 days! Mind boggling and a testament to Tyndale’s clout as a publisher of quality fiction. 


To celebrate the release of Stealing Jake, I’m giving away a Kindle. Deadline to enter the contest is September 30thCLICK HERE TO ENTER

Award-winning author Pam Hillman writes inspirational fiction set in the turbulent times of the American West and the Gilded Age. Her debut book, Stealing Jake, won the American Christian Fiction Writer’s Genesis contest and was a finalist in Romance Writers of America’s prestigious Golden Heart contest. She lives in Mississippi with her husband and family.

Wednesday, July 27, 2011

writing tip of the day

Be willing to write badly.  Be willing to make mistakes. Get words on the page and then fix them--or do it better the next time.

Monday, July 25, 2011

A Vision of Lucy: Margaret Brownley


Trouble follows Lucy wherever she goes. So does a vision of second chances . . . and love.

Lucy Fairbanks dreams of working as a photographer at the Rocky Creek newspaper. Her deepest hope is that her father will see her as an artist, the way he thought of her deceased mother, whose paintings still hang on their walls.

But disaster follows Lucy on every photo assignment: a mess of petticoats and ribbons, an accidental shooting, even a fire.

When Lucy meets David Wolf-a rugged, reclusive man who lives on the outskirts of town-she thinks she can catch the attention of the town with his photograph. She doesn't count on her feelings stirring whenever she's near him.

Two things happen next that forever change the course of Lucy's life. But will these events draw her closer to God or push her further away? And how will David accept this new vision of Lucy?



I had this book lying on my nightstand, looking forward to reading it as soon as I finished my own book. Since I've been a Margaret Brownley fan since the beginning of time, it was torture waiting. But Ms. Brownley never disappoints, and the story was as fun and captivating as I've come to expect.

A Vision of Lucy starts off with a bang and never lets up. I especially like a character with a secret, and David fulfilled that theme for me. Rocky Creek took on a personality of its own and became a character in its own right. Forgiveness is always a theme that draws emotion, and I especially appreciated that aspect of the plot.

 I'll be looking for a story about Lucy's brother Caleb in the future!

Sunday, July 10, 2011



READ CHAPTER ONE
CHAPTER ONE
Aspen Grove, Colorado, 1865

I'm tellin' ya the same thing I told ya last week an' the week before: there ain't no job for ya here." Uncomfortably, Emery Parks glanced past Tye Hatcher as if he wished he'd disappear before any respectable customers discovered the town pariah in his store.

Even though Emery'd had a help wanted sign in his front window since the first time he'd inquired, Tye didn't argue. It wouldn't do any good to challenge the mercantile owner. It had been the same everywhere he'd gone in the five months since he'd been back in Aspen Grove.

The only one willing to give him work had been Jed Wheeler, and Tye had taken the position of part-time bartender, part-time piano player with the intention of getting out of the Pair-A-Dice Saloon as soon as he found something else. Round up was growing near; one of the ranchers would need him, even though they couldn't afford an extra hand right now. "I'll take some papers."

Emery reached behind him and impatiently tossed the packet of cigarette papers on the counter.
Tye plunked a coin on the counter. "Thanks."

Sometimes he wondered why he'd come back here after the war. He could have ridden anywhere in the country and started his life over where no one knew him, where he didn't have a past. . . or a reputation hanging over his head. Sometimes he wondered why he'd chosen instead to return to the town he'd grown up in, the place where he'd never been accepted. His mother was dead now, and there was nothing physical binding him.
More than once he'd lain on his lumpy bed at the boarding house and wondered what had drawn him here. Something more than sentiment or lack of? Something less tangible probably. Something like pride.

The bell over the door clanged, and Emery glared at Tye. Tye leaned insolently back against the counter, crossed his ankles and watched three women enter the store and pass through a dusty patch of sunlight streaming in the window.

Edwina Telford, hair as steely gray as iron, her stiff black skirts rustling up dust motes, led her two daughters-in-law into the mercantile. Tye had rarely seen Edwina in any color but black. She'd worn it after the death of her parents and after the death of her husband. And now she wore black following the death of her eldest son, Joe.

Joe's widow, Meg Telford, and her blond sister-in-law, Gwynn, trailed behind the stalwart woman like ducklings on their way to a morning swim.

"Good morning, Mr. Parks," Edwina called.

"Morning, Telford Missus," the shop owner called, addressing the trio. "What can I do for you today?"

"We're shopping for Forrest's birthday celebration," Edwina said with pride.

"How old is the little fellow?"

The woman had reached the front counter, and Edwina skirted Tye as though he were a barrel of rat poison. Her powdery verbena scent made him want to sneeze. "My grandson will be four tomorrow. His father is surprising him with the pony he's been asking for. Harley went to great pains to find a well-trained Shetland."
"The little guy will like that, won't he? He must be glad to finally have his daddy home from the war." Emery spoke conversationally, as though Tye weren't standing there.

Gwynn, too, stepped deliberately past Tye and replied, "We're all grateful to have Harley home safe."
Meg reached the spot where Tye stood, but instead of pretending he didn't exist, she nodded and gave him a hesitant smile. "Morning, Tye."

Her use of his first name caught him by surprise, but he held securely to his nonchalant expression. A knot of humiliation burned in his gut, and he resented feeling it. No reason why this woman seeing him spurned should make any difference. "Morning," he returned.

Meg received a scathing look from her mother-in-law, and hurried to join her.

Tye studied her straight back in the plain black dress, and remembered her in vivid colors, remembered her dancing with Joe at socials, remembered her as a young and smiling girl. She still had the curviest figure in town. And though her hair was bound in a knot shaped like a figure eight, he recalled the rich tresses the color of dark honey that had flowed down her back in her school days.

The women gave their list to Emery and chattered among themselves.

Tye replaced his hat after tipping it to the ladies. "Nice chattin' with ya."

Meg smiled apologetically, embarrassed for him and for her rude in-laws who didn't acknowledge he'd spoken.
Emery looked up from the list with a scowl.

With a discernible limp, Tye sauntered from the store.

"Of all the impertinent men," Edwina huffed, pressing her hankie to her nose as if she could keep Tye Hatcher's taint from entering her bloodstream through her nostrils.

"Been in here ever' week askin' for a job," Emery said. "Think he'd take the hint by now that nobody wants him in town and head out."

Meg studied their disapproving faces, then glanced at the door Tye's tall form had disappeared through. Why had he come back? Surely, the rude treatment he received had discouraged him long before now. Even in school the kids had snubbed him because of their folks' attitudes toward his illegitimacy and his mother's questionable vocation.

He was regarded a trouble maker; whenever there'd been a brawl in one of the saloons, he'd reportedly been present. In Meg's company he'd always been reserved and mannerly, so she had a difficult time relating the solemn-faced young man with the haunted eyes to those tales of carousing and drinking.

Edwina was going over the list of things they'd need for baking that afternoon. Meg's attention wavered to the jars of hard candy lined across the counter, and an acute ache stabbed through her chest. She would never come in here without remembering her Joe's fondness for peppermint sticks.

It had been nearly a year since she'd received news of his death at the battle of the Potomac. But the reality of him never coming home hit her afresh at every turn. Why him? Why her Joe?
She steadied herself against a rough barrel exuding the sharp smell of salted meat and tried not to wonder what was going to become of her without him. It was the same quandary she faced every day. Even her well-meaning in-laws and her own family added to her dilemma with their constant insistence that she sell the ranch and move in with them.

"Meg? Are you all right, dear?"

At Gwynn's gentle touch on her sleeve, Meg blinked away her oppressive thoughts and conjured up a smile. "I'm fine."

"You sure?"

"I'm sure." She busied herself with looking at skeins of colorful yarn in a nearby bin. I'm fine. Just fine. I've never been so fine. A tear fell on the back of her hand, and she brushed it away quickly. "I just need some air. I'll be outside."

Not caring what her in-laws might think, she hurried out the door, the bell clanging behind her.

The rustle of clothing and a scrape on the wooden floorboards alerted her to someone's presence. She turned, just as Tye Hatcher flicked a cigarette butt end over end into the dusty street. The mellow smell of tobacco drifted to her.

His dark gaze met hers. "Ma'am," he said, politely, thumbing his slate gray hat back on his head. He took an awkward step forward. "I never had a chance to tell you how sorry I was to hear about Joe. He was a good man."

Silence stretched between them. A buggy clattered past on the deeply-rutted street.
"I'm sure you saw a lot of good men die," she said softly.

His dark gaze revealed no emotion. "Yes, I did Ma'am. On both sides."

For some reason it sounded odd to hear him call her Ma'am. She'd known him since she could remember. She hadn't known him well, but he'd always been there, always been a part of Aspen Grove. "We had to send for his body after the war, you know."

"I know." He looked out across the expanse of the street, offering her the opportunity to study his face, his smoothly shaven square jaw. His brows and sideburns were as black as the waves that curled over his collar. He was a man now; a handsome one, regardless of the unsmiling slash of his full lips. The sadness she sensed had always been there. But now it was more, more than just the disillusionment of a young boy.

Would Joe have looked that much older, too? Would the war have etched similar years on his face?
"I've always wondered if we really got the right one," she blurted. "If the man we buried was Joe." She hadn't expressed that doubt to anyone before, and she wondered why she'd revealed it now. She looked away, but she felt him swing his gaze back to her face.

She realized then she had no reason to feel embarrassed in front of this man. Somehow she knew he understood her apprehension. She raised her chin and met his eyes. She could have sworn she recognized a measure of vicarious emotion this time.

"They tagged 'em the best they could," he said. "Long as the body was identifiable, and someone knew him, they should have been certain. Did you get his things, too? I mean the things he had on him. His saddle bags?"

She nodded.

"You can be certain, then."

Meg closed her eyelids briefly, a considerable flame of comfort warming her at his words. "Thank you." Even if it was a lie, thank you.

The bell clanged a warning and Edwina plowed her way across the boardwalk, Gwynn behind her. "Meg! What are you doing out here?"

"I needed a little air, Mother Telford. I feel much better now." She glanced up at Tye. His deep blue gaze held their secret, and a touch of appreciation. "Much better."

"You shouldn't stand out here alone. The rif-raf is lurking along the streets, even in broad daylight." She handed Meg a paper-wrapped package and towed her away.

Tye tugged his hat brim back over his eyes and watched them cross the street. Meg lifted her hem and delicately traversed the riveted road. She followed her in-laws into the post office.

No doubt, she'd marry again. Damned shame Joe Telford had died and left her a widow. A woman like that deserved happiness. A husband. Children. She was too young and pretty to spend her life grieving. Some lucky fellow would snap her up before much longer.

He tried to think of any young unmarried men in town or on the surrounding ranches, but he couldn't come up with any who'd make a suitable husband for Meg Telford. The war had pared the possibilities down to nothing.
He discarded the thoughts and headed to the livery for his horse. A good ride would clear his head and prepare him for a long night in the smoke- and perfume-filled saloon. He needed a lot more money than he made there in order to carry out his plans.

The land office had nothing he could afford until he multiplied his meager savings. And Aspen Grove was makin' that possibility difficult.

#
The birthday boy, Forrest and his older sister, Lilly, had eaten their fill of cake, and now led the Shetland pony around the newly green rosebushes in the door yard. Harley Telford and his younger sister, Wilsie had spent hours supervising rides on the pony Forrest had named Cinnamon, and now engaged in a bickering game of checkers. After washing and drying the Sunday china, Meg, Edwina, and Gwynn joined them on the shaded porch Edwina called a veranda.

Meg studied the tree-lined street and neighboring houses, feeling sorry for the pony who would have to spend all but Saturday and Sunday afternoon at the livery stable. Children and animals needed wide open spaces.
She'd been so glad to move to the ranch with Joe. From the very beginning, the hills and fields, the wide sky in all directions had appealed to her dreams of escaping town life. After growing up in a house full of siblings, and helping her father in his accounting business, she'd been eager to have the space and the freedom.

"Meg, I've prepared a room for you," Edwina said. "You'll be quite comfortable in the front bedroom that overlooks the street. There are two windows, and it stays quite comfortable even in summer."

"Mother, that's your room," Wilsie said in surprise.

"It was our room when your father was alive," Edwina corrected. "Meg will need the space to keep some of her things she doesn't want to part with."

"That's generous of you, Mother Telford, but I can't impose on you."

"Nonsense. It's just Wilsie and I now, since Harley and Gwynn have their own home, and we ramble around in this big old house. Before long Wilsie will marry and leave me, too."

"Not unless some prospective husbands show up," Wilsie said with a petulant pout.

"I am afraid the war has left us short of eligible young men, my dear," Edwina sympathized. "In any case, Meg, the house has plenty of room, and it's high time you gave up your silly notion of staying out there on that patch of dirt in that rustic house and moved in with us."

"Mother's right," Harley said. "It's highly improper for you to be living out there with only a couple of ranch hands who should have been put out to pasture long ago. They can't keep up the work, and neither can you."
Meg drew a steadying breath and lifted her chin a notch. "I have Hunt and Aldo, too."

"They're boys," he scoffed.

"We've done all right so far."

"All right? Talk around town is you've had to sell Joe's guns and your silver to pay the help, make the mortgage payments and buy feed. What will you sell next?"

Meg resented the question because it was time to buy garden seed and another bank note was due, and she'd been pondering the dilemma herself for weeks. She'd learned how to run a business from her father; keeping the books and managing was no problem, but she couldn't handle the physical work alone.

Thirty years ago Gus and Purdy had traveled the Chisolm trail. They knew cattle and they knew horses. They worked hard and were as loyal friends as she'd ever had. But they were old men. The bank notes came due regular as clockwork, and the stock had to eat. Since Joe'd been gone, she hadn't been able to cut and rake hay.

Meg pursed her lips and refused to get angry at Joe for leaving her in this predicament. It wasn't his fault that the war had broken out and he'd gone and lost his life honorably. It wasn't anybody's fault. And that's what made accepting her situation all the harder. She had no one to blame. No one to get angry at.

And no one who understood her desire to keep the ranch and hang onto something she knew and loved.
The ranch had been Joe's dream. It had become hers, too, and she wasn't about to let another dream die. She'd sell the furniture if she had to. She'd sell her bed and sleep on the floor. As a last resort she'd sell some stock. But she wouldn't sell their dream.

"I've started asking around at the bank and the land office, seeing if anyone's in the market," Harley said. "Niles can get you a good price for the place."

Niles Kestler, junior owner of Aspen Loan and Trust, had been Joe's best friend since childhood.
"You can do your own dealings on the stock," Harley went on. "You'll get enough money to live on for a good many years."

Meg closed her eyes against the Telfords' manipulations. A good many years. Years of sleeping in the room upstairs, taking her meals with her widowed mother-in-law, and passing the days doing needlepoint and volunteer work? The stifling idea horrified her. She'd feel like that Shetland would cooped up in a confining stall.
Meg's widowed mother had remarried and moved to Denver several years ago, and her brothers and sisters were married and scattered from Colorado to Illinois. There wasn't a one of them she'd want to live with or impose upon.

The whole worry was so unfair. This wasn't supposed to be happening. She and Joe should have been stocking the Circle T by now, having children, seeing all their plans come to pass.

"Meg," Harley said. "You can't keep the ranch going with no man."

"Harley," Gwynn cautioned her husband, gently.

His words were not a revelation. They were simply a fact Meg had been unwilling to face.

"Well, it's the truth," he said. "And a truth she'd better take to heart before she has nothing left to sell. A woman can't run a cow ranch alone."

Meg strengthened her resolve. Harley was only looking out for her interests. He thought he knew what was best for her. The life he had planned for her would have been best for Gwynn if he hadn't returned. It would have been best for a good many women.

But it wasn't for her, and she knew it. "I appreciate your concern, Harley. Yours too, Mother Telford. But I can't sell our ranch."

They exchanged a look she couldn't quite decipher. Out of breath and giggling, Forrest and Lilly scrambled onto the veranda. "Papa, come gives us rides again! Watch us, Nana!"

Edwina turned her attention to her grandchildren.

The subject was not forgotten. Meg would hear about it each time they were together. Nothing short of a miracle would keep them from chipping away at her until she conceded. And she wasn't willing to do that.
But Harley was right. She thought about it as she drove her wagon and team home before dark. She couldn't keep the ranch going without a man.

Someone to shoulder the work load. Someone strong and capable and willing to put in the long hours and back-breaking work required. Someone she didn't have to pay.

Meg almost smiled at that one. Where would she ever get an able-bodied man willing to work without pay? She could barely keep Gus and Purdy and two young hands fed and she paid them only a meager salary.
The man she was imagining sounded like a husband. A man to take on responsibilities and have a stake in the ranch's success.

A year hadn't passed since Joe's death. Since the war, many widows had already married again to provide for themselves and their children. Meg didn't have children, which she saw as a mixed blessing. It would have been comforting to have something of Joe left behind. But she wouldn't have wanted the added burden of raising and feeding them alone.

Ranch was a glamorous word for ten thousand acres of grass, several holding pens and barns, and the modest house she glimpsed as she topped a rise, but the sight gave her the same warm sense of accomplishment and belonging it always did.

Joe's mother had always been chagrined over the fact that Joe had concentrated on the stock and the outbuildings before building an acceptable home.

But Joe'd convinced her that all they'd needed was a place to cook and sleep while they got the ranch on its feet. A more stately house was something they could build in the future. With affection, Meg studied the corrals, the barn, and efficient house where she lived. She and Joe had spent their wedding night in the tiny bedroom. They'd eaten their first meals as man and wife in the long kitchen. They'd planned and dreamed as they walked the land, and lastly they had prayed beside the back door before he'd gone off to fight.

So much of Joe was in this ranch. They would have to drag Meg off this land. If finding another man was what it took to keep it, she'd do it. Nothing would stand in the way of her keeping the Circle T. Nothing.




Monday, June 27, 2011

DELIA LATHAM: Romance, Grandma? Really?

Don’tcha just love love?

I do. I hope I always will. And that, my friends—just in case you’re wondering—is why a 50-something grandmother would write an entire series of books based around a Christian dating agency.

(To be perfectly honest, when I got the first little mustard seed of an idea, I was eleven years younger, had only one grandchild, and hadn’t yet written a novel at all, much less a series of them.)

Here’s what happened:
Some years ago, I read a series written by an author I’d never heard of at the time. Her name is Shari MacDonald, and she has an amazing knack for humor. One of the books in that series grabbed me by the imagination and would not let go. That book, A Match Made in Heaven, struck some kind of chord in me. It made me want to write the novel I’d been promising myself for years.

Now, let’s be reasonable here. That was well over a decade ago. Don’t ask me what that pivotal novel was actually about—I don’t have a clue, other than there was a dating agency involved. It made an impression on me, and got me thinking about the matchmaking profession. Wouldn’t it be fun, I thought, to write about a place where Christian singles could go to find—in King Solomon’s words—“he (or she) whom their soul loveth?”

I stored the idea away in my brain, and every once in awhile, I took it out and played with it (not my brain—the idea). I wrote two inspirational romances, neither of which had anything to do with a dating agency, and got them published. I started a couple of other manuscripts, which I still haven’t finished.

Then I woke up one day and it was as though something clicked in my heart—like God was saying, “It’s time. Let’s do it!”

In a perfect world, I disappeared into my office and emerged three days later with a completed manuscript, painstakingly edited and ready to send to a publisher.

Uh-huh. Whoever said this was a perfect world?

No. I still wasn’t completely there. I thought about the idea while I was doing dishes; I mulled it over while driving down the road all by myself; I worked out a fun little scenario or two as I lay in bed at night, instead of counting sheep; I created and discarded a number of storylines and subplots. Weeks, months, and more months went into mentally laying the groundwork.

By the time I actually did go into my office and start writing, I had several nice little scenes all cozied up in my head, just waiting to be put on paper. And…I was no longer just writing a book based around a dating agency. Now it was a series. Three books, maybe more (depending on how well you like them). Plus, God threw in a real surprise for me.

My dating agency would be no ordinary, run-of-the-mill love connection. Sometime during all of those mental writing sessions, it received a touch of the divine. Now it had an extraordinary connection to Heaven.

I’d love to tell you all about it, but then there’d be no need to read the book(s). And I really want you to read the Solomon’s Gate Series.

Destiny’s Dream released in December 2010, and Kylie’s Kiss followed four months later, in April 2011. (Come on, admit it. You’re a little bit curious about this series!) It’s available through White Rose Publishing and Amazon. I’m eager to hear what you find between its covers, because I’m thinking different people might find different things. Divine experiences often happen that way, you know.

The third book, Gypsy’s Game, should release later this year.
Come on in. I’ll leave the Gate open for you.






On a dare, Kylie Matthews lands smack in the middle of Solomon’s Gate—Castle Creek’s new Christian dating agency—and she finds herself revealing exactly what she’s waiting for in a relationship: “The kiss that steals my breath away.”

What she doesn’t reveal is her lack of self-esteem or her irrational reaction to facial disfigurement. Neither is applicable to her quest to find the perfect match. But that seemingly superficial malady becomes all-important when her first agency-arranged date is Rick Dale—a man who is everything Kylie is searching for. He’s handsome, smart, fun. Rick has it all…including an angelic six-year-old daughter with severe scarring on one side of her face.

Hard at work founding a therapy camp for young female victims of deformity or disfigurement, Rick wants Kylie to be a part of those plans. She’d love to say yes…but how can she, when every contact with the facility’s guests—and Rick’s own daughter—will make her violently ill?

Kylie is ready to admit their relationship doesn’t stand a chance, but she’s forgotten that God makes a way where there seems no way.


Delia Latham is a born-and-bred California gal, recently transplanted to Oklahoma where she lives with her husband Johnny. She’s a Christian wife, mother, grandmother, sister, and friend—but above all, she treasures her role as child of the King and heir to the throne of God. Delia enjoys big, loud, happy family gatherings. When she’s not writing, she loves to play piano and sing, read, enjoy nature’s beauty, and design marketing products for authors.

A former newspaper Staff Writer and frequent contributor to her hometown’s regional publication, Bakersfield Magazine, she has also freelanced projects to a public relations firm and various magazines; has compiled, edited, and designed cover art for several book projects for Kindness Incorporated and Chuck Wall, the president/founder of that organization; and has sold greeting card verse. Many of her short stories, articles, and devotions can be found online.

Latham’s backlist of published novels includes: Goldeneyes (2008, Vintage Romance Publishing); Yesterday’s Promise (2010, White Rose Publishing); Destiny’s Dream (2010, White Rose Publishing, Solomon’s Gate Series, Book 1); and Mine! (children’s picture book, 2011, Vinspire Imaginations). Kylie’s Kiss (Solomon’s Gate, Book 2) released in April 2011. Book 3 in the Solomon’s Gate Series will also be available in 2011, with release date pending.

Find out more about Deliah Latham:
Website: www.delialatham.net
Blog: www.my-book-bag.blogspot.com
Newsletter: www.bookshelfnewsletter.blogspot.com

Thursday, June 23, 2011

Thursday Morning in My Garden




The sights outside my windows were too pretty to ignore this morning. It's finally not too hot or raining, so I slipped on my flippies and grabbed my camera.





Monday, June 20, 2011

Two Naughty Words: Note Cards

I have friends who plot out every chapter and know everything that's going to happen in their story before they ever get started. How do they do that? I've read books and sat in workshops where methods are outlined. One year I actually made it a goal to plot a book chapter by chapter on note cards.

You know what I did? I sat for days and days, LOOKING at those blank cards -- well, not completely blank, they had chapter numbers -- and wondering what the heck to write on them. Hero and heroine meet, that's pretty easy. At the end everything is rosy --that's a given. But in between? Holy cow! As hard as I tried I couldn't get words on those cards. The cards actually CRIPPLED me.

I do a synopsis first. That's how I sell the book. But my synopsis is about the characters and about their motivations, but not about the details of the story, except for main plot points. Once I know in my head who the people are, what drives them and what they want, THEY tell me what they're going to do and say next. I don't know the middle of the book. Often I don't know the end. I just know the characters and I keep them together to see what happens next.

My method makes the plotters crazy. Their story wouldn't go anywhere if they didn't have it planned. Are they right? Am I? Yes. Whatever works for the writer is the right way.

Now, some would think that after hearing me say how I write that I just fly by the seat of my pants. Not so. I know my story people's backstories. I know the incidents that shaped them into the people they are. This way I can challenge them in the most significant ways with the things that happen to them. I know what they want. I know what's holding them back. I know their long range and short range goals, their character flaws, their character traits, their fears, their internal motivation, their personality and ten or more descriptors/adjectives about the person. I usually know the black moment.

I know a couple of scenes that I want to touch on - and I know how the story should FEEL. Sometimes I know the theme and I always need a working title.

Just don't talk note cards. My eye will start twitching.

Tuesday, June 14, 2011

Writers Write - but when and how? Are you a professional writer?

"Writers write everyday." A statement we writers often hear, made by other well-meaning writers.

Recently a writer friend told me how upset she was by that statement, because it didn't allow for life to happen. The insinuation is that "professionals" write every day, through every situation and storm in life. Nice if it works for you.

If you're a writer, aspiring or published, you have to learn a pace and a rhythm that works for you.

I agree, writing means you have to write. Duh. There are people who call themselves writers, who do a lot of talking. Talk about writing, talk about what they've learned, talk about the book they're plotting. But writing is hard work. And the cut between the writer and the talker is clearly defined by pages. Pages, manuscripts, queries and submissions. SHOW ME THE PAGES!

That said, you can accumulate pages without writing everyday. What!? Sacrilege, you say? I used to beat myself up because I didn't have the same schedule that the "professionals" have. I've sat through workshops and author interviews where the eager newbies in the crowd are asking, "How many hours a day do you write?" And the typical interviewer inevitably asks, "Describe a typical day in your life."

Some days I write a little. Some days I think and plot. Some days I go to garage sales. Some days I sweat bullets over a scene. Some days I sit with a friend who needs me. Some WEEKS I tally pages like there's no tomorrow. On deadline, I sometimes write all day and half the night. This week I am working 15 hour days. I started at seven yesterday and stopped for the Bachelorette (we all have our limits) at seven pm and then went back to the story for a couple more hours before dropping into bed.

However, some days I watch movies or read a book. Does that mean I'm not working? Does it mean I'm not a professional?

Okay, I'm not Nora Doesn't-Need-A-Last-Name (sort of like Cher) but neither is anyone except Nora. And I've heard her talk about her days - she exercises and has a family and a life. Honestly, I don't know how she does it. I have a friend who admits she has no life other than her writing. Does she produce a lot of books? Yes. Do I want that for myself? No.

WRITING ON BOTH SIDES OF THE BRAIN by Henriette Klauser.

This book helped me realize that I'm creating all the time. Even if I'm painting a room or arranging flowers or shopping at a flea market, my brain is processing ideas. I may not write for a couple of days, but when I sit down and open the file and put my fingers on the keyboard, the story flows out.

I'm not one of those people who plan the story all out head of time. More about that another time.

Occasionally I receive a commemorative pin from my publisher, acknowledging and celebrating the publication of milestone books. The accompanying letters say, "This is a significant achievement." I think so, too. I consider myself a professional. I've written thirty-eight books since 1993. Sometimes two, three or four in one year. Did I write every day? No.

My husband once spent a couple of weeks in the hospital. I took line edits along with me while I sat with him all day. One summer my daughter, with her family of six, lived with us for five weeks while their new home was being finished. Do YOU think I wrote everyday? We moved to a new home and the next week I went to RWA national conference. I got a new knee last December and did a whole lot of recuperating and physical therapy. (Not to mention the drugs.)

I have a life, with a husband, family and church.

I don't always write everyday. But I'm a writer. The pages are the proof.

Friday, June 10, 2011

Tina Gayle: Goals, Motivation and Conflict

Some of you might be thinking I’m going to talk about Debra Dixon’s book, but the same words can apply to developing the plan for your career.

Goals:  At the start of the New Year, we plan what we want to achieve.  It might be easy to come up with the goals but hard to achieve them.  After all, we only have twenty-four hours in a day, no more, no less. Yet, we all know people who seem to get it all done.

How you might ask?

Planning ahead and breaking things down into bite size pieces are the two best ways to achieve your goals.  Okay, your goal is to write four books this year. Impossible you might say.  But let’s break it down with a few questions:
           
How many pages can you write a day?
How long are the books?
How much time do you need to edit the book once it’s done?

Let’s say you want to write a 240 page book. You can squeeze out three pages a day with everything else you have to do.

Simple math 240/3 = 80 days.
You want to write 4 books x 80 days = 320
365 days in a year  - 320 = 45 days to do edits.

If you can edit each book in 11 days, you’ve made your goal with one day to spare.

Is this feasible for everything else you have to do?
What about other commitments?
Other objectives?
Family
Friends?
Will this fit in your over all scheme? What about promotion and blogging?
Can you make it happen by editing at odd times, like at your child’s soccer game?
How about writing more pages on weekends and take off time during the week.
           
If you plan ahead, set deadlines and make your objectives clear to your family and friends, you can make it happen.

Motivation and Conflict
These two things can kill a well laid out plan. If you are unmotivated to write or have some type of conflict, your writing can suffer. This is where you need to work some flexibility into your plan. 

Work in time for potential conflicts that might arise, if they don’t it’ll only give you more time to write.  We all have life outside of writing and things happen. Like our characters, conflict tests our resolve and the best way to work our way through it is by revising our goals and forgiving us for our shifts in priorities.

Finding motivation can also derail a plan. If you are worn out or struggling with other issues in your life; it can be difficult to sit your butt down in the chair and write. Again, give yourself a break and schedule a special treat for yourself like an hour in the tub with a glass of wine and scented candle. Remember to celebrate each victory that comes along and give yourself time to enjoy your accomplishments.

Hope all your dreams come true. 
With a little planning, they will.

After working twenty years in the business world, Tina Gayle decided to follow her passion and became a romance novelist. Now, she spends her days in front of a computer—crying, laughing, living in the world of her characters. Always working on perfecting her craft, Tina regularly studies writing through online courses and RWA conferences.


Tuesday, June 07, 2011

Kathleen Eagle: Cowboy, Take Me Away

Cowboy, Take Me Away by Kathleen Eagle
Harlequin Special Edition
May 2011
Heart & Home
ISBN: 9780373655953 (#2113)

When photographer Skyler Quinn first fixed her lens on gorgeous cowboy Trace Wolf Track, she liked what she saw but didn't give it much thought. Until everywhere she went—the rodeo, the Double D Wild Horse Sanctuary—there he was, and the heat between them built to the boiling point.

As a widow struggling with debts and loyalties from a former life, Skyler needed to stay focused, especially if she wanted to achieve her dream of becoming a mother. Was Trace a fatal distraction, a mere summer fling? Or did this younger man—so deep, so passionate—hold the key to a future that would make all her dreams come true?

Monday, June 06, 2011

WINNERS ANNOUNCED: Guess who?

Most of your guesses were identical! So many of you thought this pretty face was Renee Zelwegger. But alas, it's not. Only two of you guessed correctly, with the name of Aileen Quinn. Good job, ladies! I'm sending each of you an autographed copy of Marrying the Preacher's Daughter.

I hope you enjoy this peek at what it was like for Aileen Quinn to be the star of Annie and see what she's doing now.





And the winners are:

MEGAN D from Lansing Illinois

and

JULIE G from Alhambra, California

Thanks to all who participated!